![]() ![]() Watch the LUT overview video below from the guys at Film Riot. Again, you can edit HDR in an SDR project and typically you won't see the HDR metadata (depending on the editing app) and thus the footage looks similar to shooting "flat" and needs to be graded. Note though, we'd primarily suggest using our LUTs when editing in SDR (standard dynamic range), not HDR (although you can). In HDR it is not necessarily designed for color grading (it's more of a "baked in" look), however, you can still definitely add style in post-production using LUTs and/or other color grading techniques. ![]() USING 3D LUTS DAVINCI RESOLVE PROBy doing this in Premiere Pro or DaVinci Resolve the app doesn't see the HDR metadata and so you get a nice flat image to color grade. ![]() We are creating additional LUT Packs for these specific color profile options (TBA).Īnd if you're shooting Dolby Vision 10-bit HDR (with an iPhone 12 or later) we now offer LUTs for that footage too IF you edit in an SDR timeline - not HDR. This is a great way to add a stylized and/or cinematic look to your footage. They are not just for LOG footage and would simply be applied differently (typically by lowering the "strength" or intensity depending on the shot and the app you're working in). *Note that with a few of these you might need a 3rd party plugin to make them work.īy the way, If your footage was shot in the "Flat" or "Natural" color profiles with FiLMiC Pro - or in the default "standard" iPhone mode - you can still use LUTs. USING 3D LUTS DAVINCI RESOLVE SOFTWAREOur 3D LUTs are compatible with most popular editing and color correction/FX software like Adobe Premiere, After Effects, FCPX, *Sony Vegas, Davinci Resolve/Studio, Magic Bullet Looks and the popular iPhone/Pad editing app LumaFusion. We now also offer LUTs for shooting in Cinematic Mode, standard video or ProRes - so that means non-log shooting, which can be really handy to help quickly create looks. We have separate LUT Packs for the different versions of FiLMiC Pro log as they all have their own distinct log profiles. So that means LogV1, LogV2 and 10-bit LogV3 HEVC. Our various LUT Packs work with all flavors of FiLMiC Pro log including the latest 10-bit ProRes LogV3+. can not only drastically speed up the post color correction and grading process, but maybe more importantly - LUTs can quickly and easily get your footage looking great without having to be an experienced colorist. Until the last few years, not much (although you might've used LUTs for creating unique film looks and color grades), but now that you can shoot in a LOG or Flat color profile using the FiLMiC Pro app, also the Moment app and several others too - it means a lot actually.Īpplying 3D LUTs to footage shot in log, etc. SO WHAT DOES THIS HAVE TO DO WITH SMARTPHONES? When you shoot in LOG the footage will usually be milky and desaturated as it preserves image detail and gives the most dynamic range ( if shot properly). They are used to map one color space to another, typically with a 3D LUT. LUT stands for Lookup Table and is a common term used in video & film color correction. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |